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Those that are looking for the mixtape feel of “So Far Gone” or some of the harder, rougher collaborations that Drake has been featured on in the last year and a half, are going to be highly disappointed.
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Drake says “I know wayt too many people here right now, that I didn’t know last year. Does it compare with the debut classics like Illmatic and Reasonable Doubt? No.“Over,” the first single from the album, suggest that he has come in contact with so many new people over the last year that it makes him hard to distinguish who is who. Is it a solid premier for a talented artist? Without a doubt. For this fans either award him the title of “creative” or “not a real rapper.”Īll in all, the quality of Drake’s album depends on how you want to judge it. Rather, his rhymes have to center around feelings and emotions, the desire for fame despite the cost, etc. He is forced to be more creative with his music because he can’t rap about being a thug, or a gangster or a pretend drug kingpin like Rick Ross. It’s important to understand that Drake is stuck between a rock and a hard place as a rapper. Even UGK legend Bun B stops by for a quick five-word cameo. Thank Me Later features Jay-Z, Young Jeezy, TI, Swizz Beats, Lil Wayne and Nicki Minaj. Still, at times you wonder how confident Drake was in this album’s selling power, as it boasts an all-star lineup of collaborators.
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Impressively, Drake manages to keep up with his counterpart and offer one of his better rapping efforts on Thank Me Later with self-aware lines like: “My 15 minutes started an hour ago.” Drake appears to understand his role as a rap outsider because of his background and embrace it. Throughout the 14 cuts of Thank Me Later, you get a combination of beats and synthesizers for large portions of songs where you might have otherwise expected the young rapper to showcase some of his skills.Īmong the high points of the album is the first track titled “Fireworks.” Drake is accompanied by R&B goddess Alicia Keys as she lends her chart topping singing abilities to what should quickly become a radio sensation. For whatever reason, Drake chose to let the music and beats of his songs play as large a role in the album as his actual rapping and singing. “Over” turns out to be the only song of its kind on the album. It touches on the superstar’s apprehensiveness towards the people that are now surrounding him because of his success, as revealed by the hook: “I know way too many people here right now that I didn’t know last year.” The most recognizable track on the album is Drake’s first single, “Over.” The song sounds vaguely similar to his collaborative efforts in “Forever,” (same producer) with a catchy beat and aggressive lyrics. Here Drake is trying to share something personal with the listener, yet, because of how random the information is, it’s hard to care and sympathize. For an emcee once heralded for his ability to offer witty lines while connecting to the listeners, most of Thank Me Later comes off extremely cold.
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Lines from “The Resistance” like: “I heard they just moved my grandmother to a nursing home / And I be actin’ like I don’t know how to work a phone / But hit redial, you’ll see that I just called / Some chick I met at the mall that I barely know at all” give you insight into Drake’s introspective nature, all the while revealing his biggest flaws. So did the most highly anticipated rap debut since 50 Cent’s Get Rich or Die Tryin’live up to the hype?įirst and foremost, Drake’s attempt to touch deep-seeded emotional issues that many rappers are scared to delve into deserves praise. First name, Greatest,” he’s brought a lot of it on himself. Clearly the expectations are high, however, with cocky lines like “Last name, Ever. Some have gone so far as to argue that the success of future young artists rests on the quality and selling ability of Drake’s official debut. Thank Me Later is the end product of the mixture of a Canadian child star, a legendary mixtape (400,000+ copies sold) and a lot of marketing money.